The film refers to the Vanitas genre, offering a modern and ironic interpretation. Inspired by Dutch banquet scenes, it combines themes of consumption, abundance and surreal absurdity.
The elements of the composition — breasts, candles, food, fruit — symbolize wealth on the verge of excess. The artist explores the duality of the holiday: elegance and grotesque, pleasure and waste.
The work reinterprets traditions, introducing provocative images, and raises issues of consumption, cultural identity and pleasure, revealing them through multi-layered symbolism.